Gypsy Original Broadway Cast Rarity

Only 1 available. See similar items + More like this. Favorite Favorited. Add to Added. South Pacific Original Broadway Cast musical theatre journal / blank / vintage 1940s artwork ~~. South Pacific Original Broadway Cast musical theatre journal / blank / vintage 1940s artwork ~~~ rare /ALBUM COVER NOTEBOOK! Results 1 - 25 of 140. Sophisticated Ladies - Broadway Cast (RARE) Audio CD (Used) Rare - OOP! With Gregory Hines and Judith Jamison. Price: $29.95. The 1980 Original London Cast Recording of the musical COLETTE, composed by John Dankworth with Cleo Laine in the title role, is the first time the recording has.

Amazon.com Amazon.com: Gypsy: Gypsy: Gypsy: Everything's Coming Up Roses. 500 × 500 - 49k - jpg amazon.com Gypsy Original Broadway Cast - Gypsy ( Original Broadway Cast. 300 × 300 - 31k - jpg eil.com Original Cast Recording Gypsy UK vinyl LP album (LP record) (523713) 500 × 504 - 63k - jpg amazon.com Jule Styne, Stephen Sondheim, Angela Lansbury - Gypsy (1973.

Gypsy Original Broadway Cast RarityGypsy Original Broadway Cast Rarity

1500 × 1500 - 419k - jpg amazon.com Jule Styne, Laura Benanti, Boyd Gaines, Patti LuPone - Gypsy. 355 × 355 - 26k - jpg amazon.com Jule Styne, Stephen Sondheim - Gypsy: A Musical Fable (1959. 301 × 300 - 34k - jpg sondheimguide.com Sondheim Guide / Gypsy (Recordings) 500 × 500 - 137k - jpg allmusic.com Fiddler on the Roof [ Original Broadway Cast Recording] - Zero. 500 × 498 - 62k - jpg ebay.com Gypsy [1989 Broadway Revival Cast] by Original 1990 Cast/Tyne Daly.

225 × 224 - 10k - jpg allmusic.com Gypsy [ Original Broadway Cast] - Ethel Merman Similar AllMusic 500 × 391 - 33k - jpg pinterest.com Gypsy - Original broadway cast Broadway Pinterest Broadway. 236 × 344 - 23k - jpg allmusic.com Gypsy [The New Broadway Cast Recording] - Bernadette Peters. 500 × 500 - 45k - jpg amazon.com Ethel Merman, Stephen Soundheim, Jule Styne - Gypsy a Musical.

318 × 320 - 30k - jpg pinterest.com 11 best Broadway Musicals I LOVE.

—, 'I' said that most songs fall into two categories: the and the 'I Am' Song. The 'I Am' Song is, simply put, a song which establishes a character's personality, role in the plot, and/or motivations right away. It can be more effective than setting up a character by dialogue, and it's almost always more fun.

Despite the name, the song doesn't have to be sung by the characters themselves. Is an example of an 'I Am' Song sung by other people about a villain they despise. May also be an, but not always. Sometimes the lyrics will contain. Note: Contrast the.

Although the two are not mutually exclusive, the 'I Am' Song should be primarily about who the character is, rather than what they want (there's a clue in the name). Try to avoid citing an as an 'I Am' Song. Compare, which are almost always of this type (when they aren't ).

See also for an instrumental version. Is when it doesn't appear in the actual show, but rather in extras. See for when a character explains his or her new motivations or self.

From establishes Alala as an evil (strangely enough for a shoujo series). • The ending theme, 'Maru Kaite Chikyuu', along with its variations by the different characters.

• As well as some of the character songs, namely 'I am German-Made' for Germany, 'Absolutely Invincible British Gentleman' for England, 'My Heart Has a Light' for Russia and both 'Mein Gott' and 'My Song That Is Written By Me, For Me' for Prussia since he's all about telling people who he is. • opening theme 'Satsugai' ('Murder'), performed in-universe by the eponymous band themselves, is an introduction of their frontman and guitar/vocals, Johannes Krauser II, and some of the evil deeds he has done. • 's theme, 'Ore Wa Great Mazinger' is easily this. It can also be considered to be an almost-literal, seeing as the not only does the title translate to 'I Am Great Mazinger', 'Ore Wa' is the boastful version of the phrase 'I am' and the song boasts about how it doesn't shed tears and wants to kick evil's ass. • • 'Belle' introduces Belle's enjoyment in reading and dreaming about exciting adventure, the other villagers' regarding these as strange interests for a young woman of their era, Gaston's desire to marry Belle, and the other villagers' admiration of his handsomeness and masculinity.

• It also serves as an ('There must be more than this provincial life.' ), though the official I Want Song in the movie is the reprise to 'Belle'. It's sung by Le Fou and Gaston predominately. It's almost a subversion of, as everyone in Belle's town Gaston except her and her father. The Broadway musical version also includes the aptly named 'Me', sung by Gaston himself as he tries (unsuccessfully) to woo Belle. • 'One Jump Ahead' from 's.

• The Genie has 'Friend Like Me', where he establishes his powers and personality. • 'Li'l Ark Angel' from is mildly different: although it's more of a plot device, her cheerily singing about people and animals drowning establishes Darla's character immediately. She gets a later, too.

•: 'Poor Unfortunate Souls' for Ursula. • Also, 'Les Poissons'. • The stage adaptation has 'The World Above', in which Ariel sings about Eric originally had a counterpart titled 'Where I Belong', which was dropped after the Denver pre-Broadway tryout, but partially reinstated as an interlude during 'Fathoms Below' in the post-Broadway revised production. • 'The Wonderful Thing About Tiggers' from the Disney cartoons. • 'All I Ever Wanted' from is a deconstructed version.

Despite following the traditional pattern and Moses explicitly declaring 'I am a sovereign prince of Egypt/A son of the proud history that's shown,' the song implies that he is beginning to doubt his identity and the life that he thought he knew. • 'Why Should I Worry' from is Dodger's. • And 'Perfect Isn't Easy' is Georgette's.

And boy does she ever want you to know it. • Zephyr the monkey in Babar: The Movie.

• 'My Name Is Mok' from. •: He is, indeed, • From the same movie, 'Jack's Lament' is both this and a. • The first and only song in (before the credits) is an I Am Song. • 'Thomas O'Malley's Song' from. • The Disney version of has 'The Phoney King of England' which also serves as an example of about Prince John. • Also, 'Panchito's Song' from.

• 'I'm a Happy-Go-Lucky Fellow' from, which was originally created for but was ultimately not used. • Speaking of Pinocchio, that movie has 'I've Got No Strings'. • 'Witch Doctor' from about the monkeys, their way of life, and how they want the babies to live with them. • The first film has 'You Can't Keep A Good Dog Down,' which also serves as at several later points in the film.

• 'The Batty Rap' from • In, the first version of 'What's Gonna Happen' is about how Alexa would rather stay in her room and read. • Maui's song 'You're Welcome' from. • And, fittingly,, a reprise of Moana's. •: 'Whatever it is, I'm against it!' • 'I Am A Man Of Constant Sorrow' from if you count it as a • 'I Yam What I Yam' from the movie.

• 'Sweet Transvestite' from. • has interesting twists: The opening number 'The Candy Man' is a typical celebration of a title character, but none of the other characters, to say nothing of the audience, has actually seen him in years.

Willy Wonka, who turns out to be far more eccentric than expected, has his own I Am Song in 'Pure Imagination', which better fits his personality, especially with its choreography. (It also doubles as a song.) • The 2005 movie had its own take on this concept with, which was written by Wonka himself, and could also be said to represent some of his character traits.

Again, he is far more eccentric than the song suggests, as it only concentrates on his 'positive' traits. •, being a rock opera and featuring an ensemble cast, has one for the majority of the characters. • Perhaps the two most classic examples are 'Legal Assassin' and 'Things You See In A Graveyard', which introduce Nathan and Rotti's characters, respectively, their motivations, their pasts, and much of the plot besides. • Also 'Seventeen' and 'Infected'. The latter is incredibly whiny, but still an I Am Song. • 'Main Hoon Don' (which translates to 'I Am Don') from the film.

This one is an interesting combination of and. When you are first watching the film, you fully believe the singer to be Vijay. At the end you discover it was Don pretending to be Vijay prentending to be Don, and he was so confident in his having fooled everyone that he is just. • 'We are the We are the three Aaaaaaaaaaaaamigos!!! We are the three migos, and Amigos forever we'll be!' • 'The Vegetarian' from.

• 'The Life I Lead' from. • 'Practically Perfect' in the. • The song of White Knight ('My name is White Knight') from the movie You won't have Alsace and Lorraine. • He sings it every time he's asked 'Who are you?' (and it's long. • loves this trope with 'This is Me', 'Here I Am', 'Too Cool', 'Introducing Me', and 'Who Will I Be?' Which doubles as an.

• The 'Knights of the Round Table' song from. • 'Chilly Down' from Labyrinth about the Fireys and their way of life. • 'Spaceballs' The Song from the The Movie, is part of the soundtrack, and is, as such, not sung by any character in the story, but it is, as one might guess from the title, the I Am (or, more precisely, We Are) Song for the eponymous Spaceballs. • In, teenager Betsy, played by, sings a song called 'In Between' about how she's too old for little girls' toys but too young to attract older boys like Andy.

'Cause I am whatever you say I am If I wasn't, then why would I say I am? In the paper, the news everyday, I am I don't know, it's just the way I am • 's ' and 'I'm the Man.' • 'Jesus of Suburbia', 'St.

Jimmy' and 'She's a Rebel' from 's. • 'Back In NYC' from serves this purpose for the main character, Rael.

• John Denver's 'The Eagle and the Hawk': 'I am the eagle, I live in high country.I am the hawk, and there's blood on my feathers.' • ' 'Sympathy for the Devil.' From • 'I'm the Urban Spaceman' by • ' 'I' from • 'I Am Woman,' Helen Reddy's 1973 anthem to feminism. • 's 'I Am a Rock.' • and the Mothers of Invention's 'Help, I'm a Rock' from. • 'I'm the Slime' is a combination of this and. • 'The Song of Dusk' from isn't an 'I am' song so much as it's a 'Who am I?'

Song in which the eponymous character knows nothing of who he once was, only that he's woken up at the bottom of a well with a in his arms and feels an intense desire to enact revenge and seeks to satisfy it by granting the chance at revenge to others. • 'Prophecy' from 's concept album, Nostradamus, is the I Am Song for himself.

• Voltaire's song 'When You're Evil' is a classic I Am Song for any villain. • The Devil gets one in Showbread's song 'The Goat (Nervosa)'. Almost every line is a description of what he is, and every other set of words is 'I am.' Also, in their song 'The Sky (Anorexia)', the refrain is a deathly and commanding 'I AM.' • By contrast, not only represent on this list, but the trope is played as almost totally straight as can be, as almost every single lyric begins with the words 'I am' as an autobiographical description of. • A common trope for, most notably I Am (All of Me) • Marian Call has two: 'Vanilla (I'm Not Sexy)' is a declaration of her general uncoolness (in a positive way) while 'I'll Still Be A Geek After Nobody Thinks It's Chic' is a.

• ' theme song ('Hey Hey We're the Monkees!' ) • A self-deconstructed one appears in their movie, ('Hey, HEY we are The Monkees! You know we love to please! A manufactured image, with no philosophies.'

• Portal's 'Still Alive' is a pretty simple one. I am a little more provocative then you might need It is your shock and then your horror on which I feed So can you tell me what exactly does freedom mean If I'm not free to be as twisted as I want to be? Don't wanna be another player losing in this game I'm trying to impress upon you, we're not the same My psychotic mentality is so unique I'm one aggressive motherfucker, now wouldn't you say? • ' 'I Am the Walrus' from. • seem to like this trope, but as so many of their songs are almost writ as monologues, this is hardly surprising. 'The Engine Driver', 'Leslie Anne Levine', and 'The Legionnaire's Lament' stand out as the best examples.

• 'The Mariner's Revenge Song' is basically one guy telling another guy who he is inside of a whale. • ', by Michael Jackson and Lionel Richie, sung by USA for Africa. • 's songs 'Lament for a Toy Factory', 'Dr. Steel', and 'The Dr.

Steel Show' • India Arie's 'Video' is a pure example. • 's 'Carolus Rex' is this for King of Sweden. • has three: 'Mr. Self-Destruct,' 'Big Man with a Gun,' and 'Sanctified.' • 'Lecher Bitch' by the Genitorturers. • Roy Harper wrote 'The Lord's Prayer' as a sort of musical last will and testament when he believed he was dying. It contains 104 descriptions of himself, each beginning with 'who' or 'whose'.

'The Lord's Prayer' is also a sterling example of a. • 's 'Sexy and I Know It.' • 's 'The View' • • (or at least Pete Townshend) were fond of these: alone has 'Cousin Kevin', 'Acid Queen', 'Fiddle About' and 'Sensation'. Other examples include 'I'm a Boy', 'The Real Me' and 'Behind Blue Eyes'. • 's anthem 'Jocko Homo' doubles as an I Am Song and a manifesto for their 'de-evolution' concept.

They tell us that we lost our tails evolving up from little snails. I say it's all just wind in sails: Are we not men?

(We are DEVO!) Are we not men? (D-E-V-O!) • 'Stop, Look, and Listen', an early demo on the Hardcore Devo compilation, more directly refers to the band ('I hear em' coming, gonna mess up the plumbing/It's D-E-V-O!

From O-H-I-O!' ) • 'Smart Patrol/Mr. DNA', in which Devo announce themselves collectively as the Smart Patrol ('suburban robots who monitor reality') who are ultimately subjected to self-sacrifice by the 'man with a plan,' Mr. • 'Speed Racer' is an I Am Song for four different characters, presented in order in each verse ('I'm Speed Racer and I drive real fast.'

; 'I'm a big pirate and I like to steal.' ; 'I'm a Barbie doll but I've got brains.'

; ' 'I'm your doctor and here's the bill.' ) and reprised all together in the last verse. • Overlapping with, the chorus of by Infinity Ink repeats the line, 'Oh, you know we are the Infinity.' • introduced themselves with 'We,' the first song on their first album, The Roches.

They began by simply singing their names: 'We are Maggie and Terre and Suzzy Roche.' • 's ' Soy Tu Mujer' • 's 'I'm Walkin'.' • 's 'I'm Insane' crosses this with. • 'I'm A Boinger' by, from Billy And The Boingers: Bootleg.

• ' 'I'm Against It' from. • 'I Am the Alter-Destiny' by from. • The track 'Panzarmarsch' is one, told from the perspective of a decommissioned being returned to service. • has several examples, notably 'We Will Rock You/We Are The Champions', 'Invisible Man', 'Princess of the Universe' and 'Don't Stop Me Now'. • 'My Name is Prince', by, naturally. • 'WE ARE MILKCAN!'

From MilkCan's, as you can guess from the title. • A number of entrance themes (at least the ones with lyrics) fit this pattern. Of particular note: • ' theme in, in one incarnation, was actually titled 'I Am.' Easyusetools For Keygen Tomtom Updates.

The later remix, 'Get Ready to Fly', has completely different lyrics, but is still an I Am song. • Stable 's theme has this: 'We are, we are! Fortune Four!' •: 'I am the game, ' • 's theme was titled 'Who I Am.' • 'I am, the Queen of Rings' • 's theme, 'Boom Boom', is more of a He Is song, but otherwise fits the trope well, talking about Colt walking away from 'Corporate America' (i.e.

), his love of Chicago, and his desire to create 'Good times, great memories'. Please look closely and find her before she fades away • • 'All I Care About Is Love'.

Of course, he's lying, but. • Mama also has her own song, 'When You're Good to Mama', which is more accurate (metaphorically, anyway). • Amos has 'Mr. • 'The Jet Song' from. • 'I Cain't Say No' from! • 'I Am What I Am' from. •: • 'A Sentimental Man' is a subversion.

The Wizard believes what he's saying, but it's only later that the audience finds that he has his own ideas about and that part of his motivation for helping Elphaba is to use her magic for his own ends. • 'Defying Gravity' is more of an 'I Am Becoming' song, since Elphaba's entire character for the second act stems from that song.both the good and the bad. • 'Popular' is an interesting twist, as it's supposed to be about Elphaba and Galinda's attempt at making her, well, popular. However, it's quite clear that Galinda's plan for achieving this is to make Elphie as much like her as possible, thus making it an 'I Am' Song. • Speaking of Dirty Rotten Scoundrels, 'Great Big Stuff' is both an I Am Song and an. • 'Angry Inch' from. • 'Always True to You' from.

• 'Some People' from, as well as 'Rose's Turn' and 'Little Lamb'. • 'Colored Spade', 'Manchester England', 'I Got Life' and probably more from.

That whole show was basically an I Am Song for the hippies. •: 'I'm Not That Smart' (Leaf), 'I Speak Six Languages' (Marcy) and 'Woe Is Me' (Schwartzy). • is nothing but I Am Songs (or rather, You Are Songs in most cases). • 'Miss Baltimore Crabs' from.

• 'All That's Known' from. •, Miles Gloriosus' song from. • Which is also an, as the title suggests. • Also 'Lovely' for Philia and. Well, half the songs in the play.

• 'C'est moi', from establishes Lancelot's puissance and hubris. (Notice the literal translation of the title).

• 'I Wonder What the King is Doing Tonight' (sung by Arthur himself) establishes his fallibility. • 'Now', 'Soon', and 'Later' (for Fredrik, Anne, and Henrik respectively) from. 'The Glamorous Life' might count as Desiree's. • 'Not For the Life of Me' for the title character of Thoroughly Modern Millie • 'The Beauty Is' for Clara from The Light in the Piazza.

• 'Fortune Favors the Brave' for Radames in Aida. • And 'My Strongest Suit' for Amneris.

• 'How I Know You' is sort of an I Am song for Mereb as he details his backstory.which then turns into a You Are song for Aida as he reveals(the first time it's revealed in the show) that he knows she is the Nubian princess • 'Clean the Kit' in The Beautiful Game for John. • '30/90' for Johnny in tick, tick. • 'Oh, What a Circus' is sung by Che, but completely describes 's role in the musical named for her.

• 'I Put My Hand in There' for the title character of! Replaced in the film version by the 'Just Leave Everything To Me'. • 'You're a Good Man, Charlie Brown,' in the musical of the same name. • Bill Sykes' 'My Name' from. • 'I Can Cook, Too' from.

• 'My Name Is Samuel Cooper' from. • 'The Lady Is A Tramp' from. • 'I Jupiter, I Rex' from. • 'The Hostess With The Mostes' from.

• 'Wand'rin' Star' from. • 'Independent (On My Own)' from. • 'I Enjoy Being A Girl' from. • 'A Little Brains, A Little Talent' from. • 'I'm The Greatest Star' from. • 'His Name is Lancelot' from is more of an 'Just Admit It, You Are' song.

• There is also ' Cheer' with Arthur declaring that he is Arthur, King of the Britons. • From ': 'I am I, Don Quixote, the Lord of La Mancha!' • love these.